Maybe you’ve wanted to learn how to play the piano yourself, but thought there’s no way you would have the time or the money for piano lessons. Of Course it may be true that some people naturally have more talent than others, everyone can still learn how to play the piano. Of course, the more time and effort you invest into learning piano, the better the results.

It shouldn’t come as any surprise the it takes lots of practice, self discipline and a heap of commitment to learn how to play the piano. Additionally, you will need to own a
piano, or at least have access to one. Without it, you will not be able to spend the amount of time necessary practicing.

While it’s true everyone learns differently and has their own learning style. Not everyone learns at the same pace either. And while one method may work for one person, it may not be
effective for another. You can see why it is so important to do your homework BEFORE you spend your money.

Historically, you had a couple of choices to learn to play. The first choice was to hire your own personal piano inatructor. A good way to find one in your area is to search colleges, schools, local directories and of course online.

A private instructor can provide many intangible assets to your education such as advice and experience. Some other considerations are price and personality. Of course this method is the most expensive way to learn how to play the piano. This discourages most people from pursuing piano lessons.

If you can afford it, then you have to consider the personality and teaching style of the instructor. It would be terrible to be paying someone, then dreading going to the lesson because of the teacher.

Another obvious way you could learn is to teach yourself! There are tons of self-instruction materials out there. Just a quick trip to the library, you could find a number of products to take home and get started. Just because you have the information in front of you doesn’t mean you are learning how to play. Once bad habits are learned, they are hard to break. Sometimes, self-instruction can be more harmful than helpful.

Wouldn’t it be great to be able to conveniently teach yourself, but also have your the advice and experience of a personal instructor? Have your cake and eat it too! So you can see why it’s so popular to learn how to play the piano online. They can practice whenever convenient, and they have their own personal lesson plan.

If it is within your financial means to hire a personal piano instructor, by all means do it. However, if you aren’t able to afford it, and really want to learn, check out an online piano course.

There are many pros and cons of each method, it is a case of trial and error and a matter of finding out what works best for you. Basically, it boils down to whether or not you are willing to practice and stick to the plan. If you do have enough self-motivation you can learn how to play the piano in
no time.

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Learning how to play piano is not only for children, some adults are interested to learn as well. Starting a piano lessons as an adult can seem daunting after all, since most of people who like to learn how to play piano start out as children.  We can compared the children and adults, but we know that the children learn things much more quickly than adults, but that won’t really stop you. Probably there are certain things you can do to make sure you get the most of your piano playing practice as an adult.

The piano key seems confusing, but the truth is they are easy enough to learn even though they may be hard to master. On the white keys played normal notes, and the black keys play accidentals. Unless a piece calls for it, the black key you won’t use a lot. Before you really start to learn the methods of playing piano, make sure first that you are comfortable with the piano. First, is to learn the proper posture and learn hand position properly. When all your muscles are relaxed you will get the best hand position. Curl your thumbs slightly inward toward the palm to make them parallel to the rest of your fingers so that will you allow playing notes with the thumb, should they be needed.

The next thing to learn is the scales. Before two blacks ones, let start on a white key immediately, play up the white keys with your right thumb, right index, right middle, and then repeat the next five notes in the same way, going back down in a mirror image. In order to transition your hand as pianists call it, move your thumb underneath your middle finger. This is the best simple way to play a scale with your one hand. First, try to start without any sheet of music you don’t need is just yet. Explore your enjoyment, try learning with a piano teacher or enroll in a piano school.  If you know one note, you can generally go with trial and error to figure out the rest, as in the proper intervals. This is best way to practice for learning by your ear.

Try first setting its first note at C with your learn song by ear. Probably not be the actual note of the song, but our target is to learn the proper intervals. Don’t be hesitate with the trial and error its normal, and when you learn the song, then you can look back for the first note of the song and transpose the intervals accordingly.

You must need to learn on how to read sheet of music. This is a little intimidating at first, but it quickly becomes second nature. If you start learning sheet of music, you’re well on your way to becoming more proficient in playing the piano.

W. A. Mozart (Jan. 27, 1756 – Dec. 5, 1791) is one of the most enduringly popular composers in history, and even during his lifetime was esteemed by his fellow musicians. Mozart composed over 600 pieces in a variety of genres and for a wide range of instruments, starting at age 5. Many of these works are still performed frequently today, and his influence on other composers both during his lifetime and since was enormous.

Despite the many fictional portrayals of Mozart in film and book, he did not, in fact:
• Suffer under a harsh stage father;
• Behave and speak with a crudity other than what was normal for his time; or,
• Die in abject poverty causing him to be buried in an unmarked pauper’s grave.

Mozart’s life was interesting enough without these dramatic embellishments.

Childhood: Born in Salzburg, in what is now known as Austria, little Wolfgang really did begin to play the piano at age 3. He eagerly copied his older sister Maria Anna (generally called Nannerl), age 7, as their father gave her lessons. Nannerl herself was quite talented, though not to the same prodigious extent as her younger brother, and the family’s earliest European tours featured both youngsters.

By all accounts, their father Leopold Mozart loved his children very much, and stood in awe of his small son’s musical accomplishments. In the boy’s earliest efforts at composition, he played his small works for his father, who transcribed them to paper.

Young Wolfgang, with his father and sometimes sister in tow, performed for royalty all over Europe from the age of 6. During the next 11 years, the boy met numerous leading musicians and composers from Vienna to London to Milan, and developed a reputation for himself not only as a performer, but also a very able composer in his own right.

Young Adulthood: When Leopold and Wolfgang returned to their native Salzburg in 1773, they found favor with a noble patron there, Prince-Archbishop Hieronymus Colloredo, who ruled Salzburg at the time. Under Colloredo’s patronage, Wolfgang was appointed court musician, and here began several highly productive years as a composer.

During this time, Mozart wrote a series of violin and piano concertos, which are still considered staples of the repertoire for these instruments. However, the young composer was restless in Salzburg, and longed for greater – and more financially rewarding – opportunities. For one thing, he wanted to work in opera, but these were only infrequently performed in Salzburg. Despite several trips to leading European cities in search of employment elsewhere, such employment was not forthcoming.

Adulthood & Independence: In 1781, when W. A. Mozart was 25 years old, he finally managed to break away from Salzburg. The occasion was a trip to Vienna in the shadow of his employer Colloredo, who had been called there to attend the coronation of the Emperor Joseph II. While there, however, Mozart was offended by Colloredo’s refusal to allow him to perform for the Emperor in a salon. This opportunity would have paid Mozart a fee equal to half of the annual salary Colloredo afforded him.

Mozart attempted to resign, but Colloredo refused. Later, Colloredo quite literally had the young composer kicked out of his establishment – with his steward administering the physical punishment to Mozart’s backside. This rift with his erstwhile employer also damaged Wolfgang’s relationship with his father, who admonished his son for offending their patron. Relations were cool between father and son to the end of Wolfgang’s life.

However, Mozart had gotten a taste of the potentially lucrative opportunities to be had as a freelancer in Vienna. For a while, he managed to make a handsome living there. He wed Constanze Weber, whose family he and his father had met during their earlier European travels. Mozart secured an appointment as Chamber Composer to Emperor Joseph II. Life seemed promising for the young couple, and they settled down in a high-priced district to enjoy an interlude of being pleasantly well-off.

But financial trouble was around the corner. In 1786, the local aristocracy, funding a war effort, had little money to spare on entertainment, and times grew difficult for all musicians. Wolfgang and Constanze moved their family to much less expensive lodgings on the outskirts of Vienna. Mozart’s production of compositions fell off. He began to borrow money from friends.

Yet, the fictional portrayal of his death in poverty was an exaggeration. By 1791, Mozart’s fortunes had begun to look up again, and he started to pay off his debts. His volume of compositions improved as well. Mozart’s compositions during this time included some of his most critically-acclaimed and popular pieces, including the opera The Magic Flute and his final piano concerto, the K.595 in B-Flat.

However, in the fall of 1791, Mozart fell ill. The nature of his affliction may never be known exactly, but leading theories implicate an attack of recurrent rheumatic fever. This is a secondary problem associated with untreated streptococcus infection (i.e., “strep throat” that is not treated with antibiotics), that occurs in about 3% of untreated cases. It can cause damage to the heart, as well as some of the symptoms suffered by Mozart, and he is known to have suffered attacks of this illness earlier in life.

He was cared for in his illness by his wife Constanze and her younger sister Sophie. He was preoccupied during this time with trying to complete his Requiem, though evidence that he dictated it to a student (still less to Antonio Salieri) is quite sparse.

On December 5, 1791, W.A. Mozart succumbed to his illness. However, his burial in a common grave, without graveside mourners, was usual practice in his day and does not reflect on his public popularity or financial status. In fact, a series of memorial concerts held after his death was well-attended – which would tend to provide evidence for his high esteem in the public eye, or rather, ear. Also, we have seen that while he and his family were not well-off at the time of his death, neither was he a pauper.

The death of Mozart at age 35 will always seem tragic; what more might he have contributed to the musical canon, had he lived a longer life? Yet even so, his remarkable 30-year career as a composer left hundreds of striking works, for which we can be grateful.

Every keyboardist even before becoming great surely begins as a beginner and the beginner stage is the most important stage in becoming a great keyboard player. Learning how to play the keyboard, a very nice versatile instrument, is not as easy as learning how to play a sport. It is considered a very complex instrument but once mastered can be very rewarding. Here are lessons that may help you in learning it easily:

1. First lesson is learning how to play notes using your right hand.

Learning how to play piano requires exercise using both hands, so we take it one step at a time by using only the right hand first. Exercises using the right hand only help you to easily learn the instrument.

The fingers of the hand has corresponding numbers as follows: thumb is one, the index finger is two, the middle finger is 3, the ring finger is four and, lastly, the little finger is five. Keep the sequence in mind because it will help you learn easily and faster as you go through deeper lessons. Also keep in mind that both of your hands will not be playing the same notes so practicing hands one at a time helps you coordinate both hands better.

2. Next is practicing the left hand.

The process will be the same as that of the right hand but definitely will seem harder this time, after you have gotten used to playing with your right. It is necessary to practice both hands separately to be able to easily learn synchronization between both hands.

3. Next is learning how to play the keyboard in both hands.

After practicing with both hands separately, you can now proceed to play using both hands simultaneously. Of course having done the first two steps means you have already knowledge on the note of the keyboard.

Remember to keep your eyes on your music sheet while playing, and not on your hands, to keep you from being distracted. Try finding the right keys for a few notes by touch and without looking at the keyboard. Do these exercises more often to be able to synchronize both of your hands to play.

4. Now, that we have learn playing both hands, now we come to play a song.

Find an easy song that you can play with the left notes handling only support notes and the right hand doing the acrobatics on the piano.

Master that song by playing it again and again. Once you play it perfectly, choose another song with a higher level of difficulty and begin again the process until you are thoroughly used to playing with both hands.

Learning how to play the keyboard takes a lot of time and effort. Constant practice and dedication is needed to learn this instrument. Anybody with the persistence and patience to study this instrument can excel at it. It might take a lot of time but the result could mean added confidence and a sense of fulfillment.

Have you been playing piano for quite some time now, and you still feel that your piano playing is not exactly there where you would have liked it to be?

This happens with most of the intermediate-level learners. Part of the reason is because one tends to be complacent and keeps on playing the same stuff that they know. Most of the time, we just play the melody notes correctly and stick to the rhythm, and we feel happy about our performance.

There is no effort on one’s part to learn new things, learn new styles or to improvise. If you really want your piano / keyboard playing to stand out, it is very important that you do something else besides your regular playing. You will need to consciously start using some of these piano techniques in your songs.

Techniques such as playing grace notes, playing trills over two notes, and playing the glissando are easy to learn. You should learn them immediately and start using in your piano / keyboard paying. You will find a great improvement in your playing by just using these techniques and playing them correctly on the correct beats.

If you are comfortable playing these piano techniques, you can move onto something more interesting but a bit more difficult. Learn to play Piano riffs, also known as piano runs. There are many good books that teach you how to play various piano riffs. Just get hold of one, learn a few riffs and throw them in your piano playing; you will surely impress a lot of people.

Books on Piano Technique